Thursday, September 16, 2021

Σαμαρκάνδη: το Κέντρο του Κόσμου, εκεί που ‘συναντήθηκαν’ ο Μέγας Αλέξανδρος κι ο Ταμερλάνος

ΑΝΑΔΗΜΟΣΙΕΥΣΗ ΑΠΟ ΤΟ ΣΗΜΕΡΑ ΑΝΕΝΕΡΓΟ ΜΠΛΟΓΚ “ΟΙ ΡΩΜΙΟΙ ΤΗΣ ΑΝΑΤΟΛΗΣ” 
Το κείμενο του κ. Νίκου Μπαϋρακτάρη είχε αρχικά δημοσιευθεί την 16η Ιουνίου 2019. 

Στο κείμενό του αυτό ο κ. Μπαϋρακτάρης αποδίδει περιληπτικά αλλά περιεκτικά την κοσμοϊστορική σημασία της Σαμαρκάνδης (Αφρασιάμπ), μιας πόλης γύρω από την οποία η Παγκόσμια Ιστορία περιστράφηκε για δύο χιλιετίες (500 πτεμ – 1500 τεμ) με πολύ πιο πολύπλευρο, αποφασιστικό και καταλυτικό τρόπο από όσο γύρω από οποιαδήποτε άλλη πόλη ή πρωτεύουσα του κόσμου. Παρουσιάζοντας αυτή την οπτική, ο κ. Μπαϋρακτάρης μεταφέρει στοιχεία από διάλεξη, την οποία έδωσα τον Ιανουάριο του 2016 στην Νουρσουλτάν (τότε Αστάνα) στην  οποία ο ίδιος παρευρισκόταν μαζί με άλλους Γερμανούς, Ρωμιούς, Ρώσσους, Σομαλούς, Καζάκους, και Κινέζους φίλους. 

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Σαμαρκάνδη: το Κέντρο του Κόσμου, εκεί που ‘συναντήθηκαν’ ο Μέγας Αλέξανδρος κι ο Ταμερλάνος


https://greeksoftheorient.wordpress.com/2019/06/16/σαμαρκάνδη-το-κέντρο-του-κόσμου-εκεί-π/ 

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Οι Ρωμιοί της Ανατολής – Greeks of the Orient

Ρωμιοσύνη, Ρωμανία, Ανατολική Ρωμαϊκή Αυτοκρατορία

Όλος ο κόσμος ανάμεσα στον Ατλαντικό και τον Ειρηνικό, όλοι οι λαοί ανάμεσα στην Ρώμη και την Κίνα, και όλοι οι πολιτισμοί από την Μεσοποταμία, την Ινδία και την Ανατολική Ασία περιστρέφονται γύρω από την Κεντρική Ασία, επικοινωνούν μέσω αυτού του επίκεντρου των Δρόμων του Μεταξιού, και διέρχονται από την Αφρασιάμπ – Σαμαρκάνδη, την μεγαλύτερη πανεπιστημιούπολη του κόσμου του 14ου αιώνα.

Αυτή ήταν η περιοχή από όπου Τουρανοί, Μογγόλοι, Ιρανοί, Αραμαίοι, Κινέζοι, Ινδοί πέρασαν για να πάνε στα ανατολικά ή στα δυτικά. Πρωτεύουσα της Σογδιανής, τμήμα αυτοκρατοριών και βασιλείων, και πάλι πρωτεύουσα της σουλτανάτου του Ταμερλάνου και των Τιμουριδών, η Σαμαρκάνδη είναι η ασιατική καραβανούπολη στην οποία η Δύση γίνεται Ανατολή και η Ανατολή Δύση.

Μιθραϊσμός, Τουρανικός Σαμανισμός, Μανιχεϊσμός, Βουδισμός, Χριστιανωσύνη (: Νεστοριανισμός) και Ισλάμ αντιπαρατέθηκαν εδώ, συμβίωσαν, αναμείχθηκαν και μεταμορφώθηκαν από θρησκεία σε πολιτισμό, από Πίστη σε Σοφία, και από ύλη σε Ενέργεια.

Σμικρογραφία χειρογράφου του Κήπου Τριανταφύλλων των Ευσεβών του Μολλά Τζαμί (Νουρεντίν Αμπντεραχμάν Τζαμί) κορυφαίου φιλοσόφου, ποιητή, μαθηματικού, φυσικού επιστήμονα και μυστικιστή της Σχολής του Μοχυιεντίν Ίμπν Άραμπι που έζησε στην Χεράτ (σήμερα Αφγανιστάν) της Τιμουριδικής Τουρανικής Αυτοκρατορίας των Γκορκανί και εργαζόταν στην αυλή.

Όλη η Ασία, η Ευρώπη κι η Αφρική μετουσιώνονται σε μια αδιαίρετη ιστορικά και ενιαία πολιτισμικά οντότητα που αποκαλείται Οικουμένη. Μπορεί οι καταβολές του ανθρώπινου πολιτισμού να βρίσκονται στην Μεσοποταμία και στην Αίγυπτο, αλλά η ίδια η Ανθρώπινη Ιστορία είναι συνάρτηση των όσων πέρασαν από την Σαμαρκάνδη – Αφρασιάμπ.

Όμως, οι απαρχές της μυθικής καραβανούπολης και πρωτεύουσας της Σογδιανής πηγαίνουν πολύ πριν από τα ιστορικά χρόνια των Αχαιμενιδών και χάνονται μαζί με τα ίχνη του θρυλικού βασιλιά του Τουράν, του Αφρασιάμπ, που τους ατελείωτους πολέμους του αφηγήθηκε ο Φερντοουσί, εθνικός ποιητής του ισλαμικού Ιράν στις αρχές του 10ου χριστιανικού αιώνα μέσα στο απέραντο έπος Σαχναμέ (: Το Βιβλίο των Βασιλέων).

Η ανέγερση του κεντρικού τζαμιού της Σαμαρκάνδης όπως απεικονίζεται σε σμικοργραφία χειρογράφου

Ο Ουλούγ Μπεγκ, εγγονός του Ταμερλάνου και μέγας βασιλεύς της τιμουριδικής τουρανικής κεντρασιατικής αυτοκρατορίας των Γκορκανί, κορυφαίος μαθηματικός, ιατρός κι αστρονόμος του 15ου αιώνα, ιδρυτής του καλύτερου αστεροσκοπείου του τότε κόσμου, συγγραφέας του οποίου τα έργα μεταφράζονταν στα λατινικά, αναπαρίσταται εδώ με το χαρέμι και τους αυλικούς του. 

Στο θέμα θα επανέλθω καθώς είναι ανεξάντλητο τόσο όσο και τα εντυπωσιακά μνημεία που ακόμη σήμερα σώζονται στην Σαμαρκάνδη – Αφρασιάμπ, τον τόπο όπου όλοι οι άνθρωποι μετουσιώνονται σε Πολίτες του Κόσμου.

Το Τζαμί-Θρησκευτική Σχολή (Μεντρεσά) του Ουλούγ Μπεγκ από την περιοχή Ρετζιστάν της Σαμαρκάνδης

Θρησκευτική Σχολή Τίλυα Καρί από την περιοχή Ρετζιστάν της Σαμαρκάνδης

Δείτε το βίντεο:

СамаркандАфрасиабЦентр Мира – Σαμαρκάνδη-Αφρασιάμπ, το Κέντρο του Κόσμου

https://ok.ru/video/1410623408749

Samarqand-Afrasiab, the Center of the World – Самарканд-Афрасиаб, Центр Мира

http://vk.com/video434648441_456240210

Σαμαρκάνδη-Αφρασιάμπ, το Κέντρο του Κόσμου – Samarqand-Afrasiab, the Center of the World

Περισσότερα:

Столица Согдианы, названная в честь легендарного царя Афрасиаба Туранского, часть империй и эпицентр могущественных королевств, прославленный город центрально-азиатских караванов был расположен в центре исторического Шелкового пути. Это место, где Александр Великий и Тимур Ленг (Тамерлан) «встречаются», но их затмевает Улугбек, внук Тамерлана и величайший правитель 2-го тысячелетия н.э., который был не только Великим Императором (Амир-и Кабир: Улуг Бег) из Горкани (Империя Тимуридов), а также ведущий математик, врач, алхимик, астроном и основатель крупнейшей в мире обсерватории XV в. Искусство, сокровища и величие памятников Самарканда не сравнится ни с одним другим городом в мире.

Capital of Sogdia, named after the legendary king Afrasiab of Turan, part of empires and epicenter of powerful kingdoms, the illustrious city of the Central Asiatic caravans was located at the focal point of the historical Silk Road. This is the place where Alexander the Great and Timur Leng (Tamerlane) ‘meet’ only to be eclipsed by Ulugh Beg, Tamerlane’s grandson and greatest ruler of the 2nd millennium CE, who was not only the Great Emperor (Amir-e Kabir: Ulugh Beg) of the Gorkani (Timurid Empire) but also a leading mathematician, medical doctor, alchemist, astronomer and founder of the world’s greatest observatory of the 15th c. The art, the treasures and the grandeur of Samarqand’s monuments is not matched by any other city in the world.

Πρωτεύουσα της Σογδιανής, ονομασμένη από το όνομα του μυθικού βασιλιά Αφρασιάμπ του Τουράν, τμήμα αυτοκρατοριών και κέντρο πανισχύρων βασιλείων, η καραβανούπολη – επίκεντρο των Δρόμων του Μεταξιού είναι ο χώρος όπου συναντώνται ο Μέγας Αλέξανδρος κι ο Ταμερλάνος αλλά αμφότεροι επισκιάζονται από τον Ουλούγ Μπεκ, εγγονό του Ταμερλάνου και μεγαλύτερο ηγεμόνα της 2ης χριστιανικής χιλιετίας, ο οποίος εκτός από μέγας άρχων των Γκορκανί (τιμουριδική αυτοκρατορία) ήταν κορυφαίος, πρωτοπόρος μαθηματικός, ιατρός, αλχημιστής, αστρονόμος και ιδρυτής του μεγαλύτερου αστεροσκοπείου του κόσμου τον 15ο αιώνα. Την τέχνη, τον πλούτο και το μεγαλείο των μνημείων της Σαμαρκάνδης (Μαρακάνδα στα αρχαία ελληνικά) δεν τα προσεγγίζει καμμιά άλλη πόλη στον κόσμο.

Περισσότερα:
https://en.wikipedia.org/wiki/Samarkand
https://en.wikipedia.org/wiki/Registan
https://en.wikipedia.org/wiki/GureAmir
https://en.wikipedia.org/wiki/Afrasiyab_(Samarkand)
https://en.wikipedia.org/wiki/Sogdia
https://en.wikipedia.org/wiki/Afrasiab
https://ru.wikipedia.org/wiki/Самарканд
https://ru.wikipedia.org/wiki/Афрасиаб_(городище)
https://en.wikipedia.org/wiki/Ulugh_Beg
https://el.wikipedia.org/wiki/Ούλουγκ_Μπεγκ
https://ru.wikipedia.org/wiki/Улугбек
https://en.wikipedia.org/wiki/Timurid_Empire

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Διαβάστε:

Samarqand – History and Archeology

Since the publication of the entry Afrāsiāb (EIr. I, 1984, pp. 576-78), new information has been brought to light on this archeological site and, consequently, on the history of pre-Mongol Samarqand. This progress is mainly a result of the activities of the MAFOUZ (Mission Archéologique Franco-Ouzbèke), which commenced in 1989 and continues to date.

Concerning the foundation of the city, which resulted from the fortification of the plateau (already sporadically occupied in the Bronze and Early Iron Ages), a pre-Achaemenid date, between ca. 650 and ca. 550 BCE, seems now confirmed. The specific character of this first urban foundation stands out more clearly.

A wall follows the whole circuit of the plateau (5.5 km), complemented by another one which separates the town from the acropolis, situated in the northern part and itself including a citadel raised on an artificial platform. These topographical-functional features were to last as long as the town was centered on this site.

The existence inside Afrāsiāb of an artificial water supply through the Dargom channel (extending 40 km from the Zarafšān River), a branch of which entered through the southern gate, is archeologically confirmed for the Achaemenid period only; but it seems probable that it existed from the beginning.

The wall, 7 m thick, is massive, in contrast to those which were built upon it in the city’s Achaemenid and Greek periods. It is made of coarse mud bricks of plano-convex shape, all of which bear a mark, an indication that labor was strictly organized in groups of workers at the initiative of the local political power.

Similar building techniques have been noticed at other Sogdian and pre-Sogdian sites during that pre-Achaemenid period: Kok Tepe (30 km north of Samarqand, with similar brick marks, a fact which suggests a contemporary foundation), Padaiatak Tepe and Sangyr Tepe near Šahr-e Sabz, Eilatan and Dal’verzin Tepe in Farana.

The Greek occupation appears to be divided into two phases, the first lasting from Alexander to some date in the second half of the 3rd century BCE and the second, a shorter period of reconquest under the Greco-Bactrian king Eucratides (r. ca. 171-145 BCE).

The pottery complex differs markedly between these two phases, which seem to have been separated by a period of nomadic invasion, at a time when the Greek line of defense was temporarily shifted to the south (as witnessed also by the earliest wall brought to light by excavations in the strategic pass at Derbent [see DARBAND]).

In addition to the fortifications, the Greek garrison (in the first phase) left its mark with a large granary, built in the center of the acropolis, at a place now buried deep below the mosque.

The peak of the pre-Islamic Sogdian civilization is mostly documented from the excavations at Panjikent (q.v.). At Samarqand, the major source of evidence for this period is the aristocratic residence which stood just inside Wall III, which constituted the southern limit of the fortified town between the 6th and 8th centuries CE.

The famous wall paintings (Afrāsiāb ii) which were commissioned for a reception hall ca. 660 CE, probably by King Varkhuman himself, are the object of ongoing study and interpretation. Contrary to what had been proposed in afrāsīab, the whole composition is no longer believed to be related to the arrival of embassies at Samarqand (which forms the specific theme of the western wall), but to more varied themes of geopolitics and royal propaganda: the dynastic cult (southern wall), the greatness of the Chinese ally (northern wall), Indian legends (eastern wall).

A substantial amount of information (sometimes complementary and sometimes conflicting with the picture hitherto drawn from textual sources) has come to light concerning the 8th century. Excavations carried out beneath the mosque have revealed evidence for a rapid succession of monumental buildings.

A massive enclosure, perhaps the temenos of the pre-Islamic temple mentioned in the sources, was razed some time after the Arab conquest of 712. Instead of a first mosque, as was hitherto assumed, the site was occupied by a large palace (ca. 115 x 84 m), built in the 740s (according to numismatic evidence), and it is therefore attributable to the last Omayyad governor, Nasr b. Sayyār.

Architecturally, it appears as a transitional building, combining features inherited from earlier Sogdian palaces (a rectangular ‘throne hall’, corridors), and others that are more innovative (such as beyts, i.e., rooms grouped in a rectangle around a courtyard or hall). Some of the baked bricks had been lavishly used for pavements – another innovation.

They carry Kufic inscriptions, most often consisting ʾxšyd, i.e., ešīd, the Sogdian royal title. It is conjectured that the then representative of the local dynasty, residing outside Samarqand and still in charge of tax collection, had agreed to pay part of it in kind to contribute to the building of the governor’s palace.

Some time between 765 and 780 sections of the palace were leveled to make room for the Friday mosque, which was first built on a square plan, and then (probably at the beginning of the Samanid period, ca. 820-30) enlarged towards the western direction, which led to the leveling of the remaining parts of the palace.

Finds made in the palace include exercises in Arabic, which testify to the existence of a maktab, as well as the earliest set of chess pieces ever discovered in an archeological context. Important fragments of the stucco decoration of the qebla wall of the first mosque, buried after the enlargement of the building, belong to the pre-Samarra Abbasid style, hitherto known only from examples in Syria, Iraq, and Fārs.

Before that, in the early 750s, a second Arab palace had been erected to the east of the citadel, evidently by Abu Moslem (although written sources credit him only with the construction of the wall around the oasis). The regularity of its plan stands in marked contrast to the previous palace and indicates the work of an architect from Iran or the Near East.

The same applies to the use of porticoes of octagonal columns, built in mud brick in both the inner and the outer courtyard. An eyvān opened to the latter (instead of into a closed throne hall). This palace never received any decoration, which is not consistent with the high representative functions it was obviously destined to fulfill.

After an interruption, no doubt caused by Abu Moslem’s execution in 755, it was eventually completed with radical alterations to the original plan, the porticoes being replaced by corridors. Some parts of the palace subsisted until the 10th century. (However, the dār al-emāra mentioned by Eṣṭari and Ebn awqal at the citadel was probably a later construction).

Knowledge of the two last centuries of Afrāsiāb has also progressed substantially. Above the leveled ruins of Abu Moslem’s palace in the northern section overlooking the Sīab river, pavilions were added in the Qaraānid period (11th-12th centuries), as an extension of a new palace built on the citadel (where these levels have been entirely destroyed by early archeologists).

Since the year 2000, the excavation of one of these pavilions has brought to light collapsed remains of remarkable painted decoration, almost the only evidence for mural painting so far reported in Transoxiana for this period. It comprises birds in a floral and calligraphic setting (apparently based on Persian poetry), dancers, a frieze of hunting dogs, and fragments of a large composition with Turkish guards presenting the ruler with symbols of power (the figure of an archer has been restored).

The very last phase at Afrāsiāb was marked by a reconstruction of the palace at the citadel (mentioned in 1221 by the Chinese traveler Changchun) and by a complete rebuilding of the Friday mosque, commissioned (according to the Persian chronicler Jovayni) by Moammad b. Tekeš after his bloody capture of the town in 1212.

Excavations have shown that the latter project was suddenly abandoned even before the monumental pillars had been built above floor level. They were replaced by wooden columns, probably requisitioned ones. The reason for this change was most probably the Mongol threat, which led to a massive reinforcement of the fortifications at the citadel and at the gates.

The first datable fortification of the oasis is the Divār-e Qīamat, initiated by Abu Moslem and completed under Hārun al-Rašid, along a circuit of about 35 km. Its gates were dismantled under the Samanids, and only a few sections survive today. A transverse wall, the Divār-e Kundalyang, now entirely destroyed, cannot be dated. Its attribution to the Achaemenid period rests only upon the “LXX stades” given by Curtius Rufus 7.6.10 for the city wall of Maracanda.

However, this figure is suspected to be corrupted from XXX, i.e., 5.5 km, which is exactly the perimeter of Afrāsiāb. The transfer of city life to the south of Afrāsiāb, completed shortly after the Mongol invasion, was already on the way in the 11th-12th centuries.

For this period temporary disruptions of the water supply, due to the continuous rise of the occupation level, can be observed in the northern part of the plateau. Ceramists’ quarters were gradually moving upstream along the channel branches.

According to the descriptions by Arab geographers, the main commercial center was around the Raʾs al-Tāq, the embankment which led the water channel through the southern gate. Archeology is of little help here, because of the presence of the modern town. It has been supposed that the wall that was built later on by Timur in order to encircle his town had taken the place of a suburb wall already existing before the Mongols.

However, there is no archeological proof for this. The main sources of information for the southern suburb in that period are two waqf documents from 1066. One concerns the endowment for a madrasa, situated in the southern part of Afrāsiāb (although this has been disputed), but perhaps the madrasa does not in fact correspond to the remains excavated in front of the mausoleum of Qoam b. ʿAbbās.

The second document creates a hospital for the poor, which is situated somewhere to the south of the main bazaar. Both give precise locations and descriptions for the various estates listed in the endowments, mostly āns (caravansarais), all of which appear to be in the bazaar zone or in its vicinity.

Some toponyms have survived until modern times, such as the Čahār Suq and the ‘Sand (place) of the merchants’, probably predecessors of the Registān square, at the crossroads of the oasis.

The capture of Samarqand by the Mongols left it with one-quarter or even less of its former population (evaluated by Changchun to “more than 100,000 households” in the oasis before the conquest).

Moreover, this remaining population did not include the craftsmen who were transported to Mongolia and subsequently, in a second wave (under Ögedey), to Simāh (Siun-ma-lin), north of Peking, where they introduced vine growing and a particular kind of brocade. Samarqand had by then become part of the ulus of Čāatāy.

The huge losses in working population were certainly the decisive factor for the abandonment of Afrāsiāb, whose water supply required more skills and labor than the southern suburb.

According to the Moroccan traveller Ebn Baṭṭua, who stayed in Samarqand in 1333 (or 1335), it did not have functioning walls or gates anymore, and many monuments were in ruins. However, the bazaar was again prosperous, and the complex around the grave of Qoam (the only part of Afrāsiāb still occupied) was splendidly built.

In 1371, Timur chose Samarqand as his capital and immediately had the new site fortified by a new wall and a citadel in its western part, containing the Kok Sarāy, a palace used only for ceremonies . The court and the army lived in the gardens built around the town.

The rebuilding of the city on its new site was resumed on a grand scale after Timur’s return from his western campaigns in 1396, in particular with the construction of the Friday mosque (Bibi ānum) next to the northern gates and the opening of the bazaar mainstreet between the mosque and the Registān area.

Craftsmen deported from all the conquered countries contributed to the new buildings, and some villages in the vicinity are still named after their places of origin (Širāz, Demašq). From that period onwards, archeological information comes more from the recording of monuments still standing (see samarqand. monuments) than from excavations, with the exceptions of the citadel (destroyed in the Tsarist and Soviet periods) and the observatory built by Ulu-Beg in 1421 to the northeast of Afrāsiāb and rediscovered in 1908.

After the final conquest of Timurid Samarqand by Moammad Šaybāni (in 1500), the function of capital of Transoxania was transfered to Bukhara. The Šaybānids and their successors, the Astraānids, continued however to embellish Samarqand: the Registān square received its final form with three madrasas in 1660.

A sharp decline occured in the 18th century, with Kazakh inroads, dynastic strife, and eventually an occupation by Nāder Šāh’s army in 1740-47. Already in the 1720s, the city was almost deserted and the madrasas on the Registān were turned into winter stables by nomads. Recovery was slow and incomplete.

At the time of the Russian conquest in 1868, the city numbered only 55,128 inhabitants, in contrast to figures known for the 13th century (see above) and today (about 500,000).

Bibliography:

Studies based mainly on archeological material. Kh. G. Akhun-babev, Dvorets Ikhshidov Sogda na Afrasiabe (The palace of the Ikhshids of Sogd at Afrāsiāb), Samarkand, 1999.

P. Bernard, “Maracanda-Afrasiab colonie grecque,” in La Persia e l’Asia centrale da Alessandro al X secolo (Atti dei convegni Lincei 127), Rome, 1996, pp. 331-65.

P. Bernard, F. Grenet, M. Isamiddinov, “Fouilles de la mission franco-soviétique à l’ancienne Samarkand (Afrasiab): première campagne, 1989” and “Fouilles de la mission franco-ouzbèque à l’ancienne Samarkand (Afrasiab): deuxième et troisième campagnes (1990-1991),” Comptes Rendus de l’Académie des Inscriptions & Belles-lettres, 1990, pp. 356-80 ; 1992, pp. 275-311.

Iu. F. Buryakov, ed., K istoricheskoĭ topografii drevnego i srednevekovogo Samarkanda (About the historical topography of ancient and medieval Samarkand), Tashkent, 1981.

E. Iu. Buryakova, “K planirovke i fortifikatsii Samarkandskoĭ tsitadeli XIV-XIX vv. (About the plan of the fortifications of the citadel of Samarkand, 14th-19th centuries), in G. A. Pugachenkova, ed., Kul’tura srednevo Vostoka. Gradostroitel’stvo i arkhitektura, Tashkent, 1989, pp. 115-25.

G. V. Chichkina [Shishkina], “Les remparts de Samarcande à l’époque hellénistique,” in P. Leriche, H. Tréziny, eds., La fortification dans l’histoire du monde grec, Paris, 1986, pp. 71-78, figs. 287-302.

F. Grenet, “L’Inde des astrologues sur une peinture sogdienne du VIIe siècle,” in C. Cereti, M. Maggi, E. Provasi, eds., Religious Themes and Texts in Pre-Islamic Iran and Central Asia. Studies in Honour of Professor Gherardo Gnoli, Wiesbaden, 2002.

F. Grene [Grenet], I. D. Ivanitskiĭ, “Dvorets omeyadskogo namestnika pod mechet’yu Abbasidskogo perioda na Afrasiabe” (The palace of the Umayyad governor under the mosque from the Abbasid period at Afrasiab), in T. Sh. Shirinov, ed., Arkheologiya, numizmatika i epigrafika srednevekovoĭ Sredneĭ Azii, Samarkand, 2000, pp. 58-62.

F. Grenet, C. Rapin, “De la Samarkand antique à la Samarkand médiévale: continuités et ruptures,” in R. P. Gayraud,ed., Colloque international d’archéologie islamique, Cairo, 1998, pp. 387-402.

O. N. Inevatkina, “Fortifikatsiya akropolya drevnego Samarkanda v seredine pervogo tysyacheletiya do n.e.” (The fortification of the acropolis of ancient Samarkand in the middle of the 1st millenium BCE), Material’naya kul’tura Vostoka 3, Moscow, 2002, pp. 24-46.

E. D. Ivanitskiĭ, O. N. Inevatkina, “Periodizatsiya i etapy razvitiya vodosnabzheniya Afrasiaba” (Periods and stages of the development of the water-supply of Afrasiab), Istoriya Material’noĭ Kul’tury Uzbekistana 30, Samarkand, 1999, pp. 96-103.

E. Kageyama, “A Chinese Way of Depicting Foreign Delegates Discerned in the Painting of Afrasiab,” in Ph. Huyse, ed., Iran: Questions et connaissances. Actes du IVe congrès européen des études iraniennes. Paris, 6-10 Septembre 1999, vol. I: Etudes sur l’Iran ancien, Paris, 2002, pp. 309-23.

Yu. Karev, “Un palais islamique du VIIIe siècle à Samarkand,” Studia Iranica 29, 2000, pp. 273-96.

E. de La Vaissière, Histoire des marchands sogdiens, Paris, 2002.

B. Lyonnet, “Les Grecs, les nomades et l’indépendance de la Sogdiane, d’après l’occupation comparée d’Aï Khanoum et de Marakanda au cours des derniers siècles avant notre ère,” Bulletin of the Asia Institute 12, 1998, pp. 141-59.

B. Marshak, “Le programme iconographique des peintures de la ‘Salle des ambassadeurs’ à Afrasiab (Samarkand),” Arts Asiatiques 49, 1994, pp. 5-20.

N. B. Nemtseva (with notes by M. Rogers), “The origins and architectural development of the Shah-i zinde,” Iran 15, 1977, pp. 51-73.

C. Rapin, “Fortifications hellénistiques de Samarcande (Samarkand-Afrasiab),” Topoi 4, 1994, pp. 547-65.

G. V. Shishkina, Remeslennaya produktsiya srednevekovogo Sogda (The artisanal production of medieval Soghd), Tashkent, 1986.

Idem, “Ancient Samarkand: Capital of Soghd,” Bulletin of the Asia Institute 8, 1994 [1996], pp. 81-99.

G. V. Shishkina, L. V. Pavchinskaja, Terres secrètes de Samarcande. Céramiques du VIIIe au XIIIe siècle, Paris, 1992.

Studies based mainly on historical sources. A. M. Belenitskiĭ, I. B. Bentovich, O. G. Bol’shakov, Srednevevovyĭ gorod Sredneĭ Azii (The medieval town in Central Asia), Leningrad, 1973 (esp. pp. 143-62, 219-32, 266).

Dzh. Z. Buniyatov, T. B. Gasanov, “Dva samarkandskikh vakfa serediny XI v.” (Two waqf documents from Samarkand, mid 11th century), Vostochnoe istoricheskoe istochnikovedenie i spetsial’nye istoricheskie distsipliny II, Moscow, 1994, pp. 39-63.

Yu. Karev, “La politique d’Abū Muslim dans le Māwarā’annahr. Nouvelles données textuelles et archéologiques,” Der Islam 79, 2002, pp. 1-46.

M. Khadr (with an introduction by Claude Cahen), “Deux actes de waqf d’un qarahanide d’Asie centrale,” JA 255, 1967, pp. 305-34.

B. Manz, The Rise and Rule of Tamerlane, Cambridge, 1989.

J. Paul, “The histories of Samarqand,” Studia Iranica 22, 1993, pp. 69-92.

P. Pelliot, “Une ville musulmane dans la Chine du Nord sous les Mongols,” JA 211, 1927, pp. 261-79.

http://www.iranicaonline.org/articles/samarqand-i

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Afrasiab – The Archeological Site

Afrāsīāb is the ruined site of ancient and medieval Samarqand in the northern part of the modern town. The term Qaḷʿa-ye Afrāsīāb appears in written sources only from the end of the 17th century. The name is popularly connected with that of the epic king of Tūrān, Afrāsīāb, but scholars see in it a distortion of Tajik Parsīāb (Sogdian Paršvāb), “Above the black river,” i.e., the Sīāhāb or Sīāb, which bounds the site on the north.

The area of Afrāsīāb covers 219 hectares, and the thickness of the archeological strata reaches 8-12 m. The ruined site has the shape of an irregular triangle, bounded on the east by the irrigation canal Āb-e Mašhad, and on the west by the deep Ačapar ravine, which in ancient times played the part of a moat.

Inside these limits Afrāsīāb appears as a hillocky waste with several depressions sunk over what had been town squares and reservoirs. In the northern part rises the citadel (90 by 90 m) with a ramp along its eastern facade. The ruined site is surrounded by earth banks, remnants of fortress walls belonging to four successive ages.

Archeological excavations carried on in Afrāsīāb since the end of the 19th century, and very actively in the 1960-70s, have supplied sequences of the site’s material and artistic culture and so have established the basic chronology of its history.

The settling of the territory of Afrāsīāb began in the 7th-6th centuries B.C. It was already a city occupying almost the entire area of the present site and surrounded by a powerful fortress wall of rectangular, unbaked bricks on an adobe platform.

The supply of water was ensured by a canal and open reservoirs (discovered in the eastern and northern parts of Afrāsīāb). The archeological complex of that time is represented by wheel-turned pottery vessels of cylindrical or conical-cylinder shape with a slanting base, grain crushers, and leaf-shaped (and for the 5th-4th centuries B.C., three-bladed) bronze arrowheads.

The city at the end of this period is identified with Marakanda, mentioned in connection with Alexander’s expedition into Sod in 329-327 B.C. by Arrian and Quintus Curtius.

The archeological strata of the 4th-1st centuries B.C. have been traced in various zones of Afrāsīāb. In the northern and western parts of the ruined site fortress walls have been uncovered built of square unbaked brick with internal passages, loopholes, and a lower projecting shelf.

Dwellings have been excavated. Specific for this archeological complex are high quality wheel-turned ceramics (thin, polished, red angāb goblets, cups, vases, and dishes) showing the influence of the Hellenistic tradition. One of the goblets bears the Greek name Nikis, while among the terracottas there are heads of the helmeted Athena and Arethusia type.

Characteristic finds are bronze, three-bladed arrow-heads, ornaments, and gem seals. Coins of Antiochus Soter and of the Greco-Bactrian kings Eutidemus and Eucratides witness to trade relations.

Contrary to the opinion held by some researchers that during the Kushan period (1st century B.C.—first centuries A.D.) the city was passing through a period of decline, a number of scholars regard it as having flourished, a view confirmed by excavations of recent years. These have uncovered monumental residential and religious buildings and workshops, in particular the quarter of ceramicists and metalworkers.

During that period the leaden aqueduct Jūy-e Arzīz was conducted from Darom. A special defense wall was built around Afrāsīāb in a large district of Samarqand. The archeological complex contains ceramic vessels of high quality, on arrowheads, stone projectiles, bone styluses, intaglio gems, a treasure of silver obols bearing the figure of a bowman (which enjoyed a long circulation), glass vessels and ornaments, blue paste Egyptian objects for cult use.

Among modeled artifacts are numerous statuettes of goddesses of aristocratic or popular type, musicians playing lutes and horizontal and vertical flutes, horses, and other figures.

In the 4th-5th centuries A.D., a time of crisis in the slave-holding society and the beginning of the shaping of feudalism, the inhabited area of Afrāsīāb shrank. The fortress walls encircled only part of the territory of the town, and burials took place in the ancient wall.

The quality of the pottery sharply deteriorates; the shape of the vessels alters, and many are hand modeled. Horrific figures predominate in terracottas.

In the 6th-7th centuries Samarqand was the capital of Sod ruled by the local Ešīd dynasty. The town on the site of Afrāsīāb is surrounded by a double wall with moats having four gatesof Bokhara, China, Kaš and Nowbahār. In the eastern part of Afrāsīāb were situated metalworkers’ and potters’ workshops with two-storied kilns.

The residential quarter of the aristocracy and the palace complex of the Ešīds with reception halls, surrounding passages, and out-buildings have been explored in the center of the site. The main hall of the palace was ornamented with monumental wall paintings.

There are scenes of a solemn procession, the bringing of gifts in visitations to the ruler of Samarqand Varhuman by envoys from various countries, including Čaānīān (indicated by a Sogdian inscription).

Apparently to this period belong the wooden sculptures of animals preparing for combat which were set up in the town square; they are recorded by Ebn awqal in the 4th-10th century. Terracottas attain exceptional variety; there are statuettes of Sogdian and Turk horsemen, youths and young girls in royal headdress with symbolic ornaments, demonic creatures, and a Sogdian paladin accoutered and armed.

Remains of bones, preserved according to Zoroastrian custom, were frequently placed in ossuaries with modeled ornamentation; particularly expressive are small, Orphean-type, sorrowing heads.

In the year 93/712 Samarqand was conquered by the Arabs. The walls of Afrāsīāb were partly destroyed by them after a rising of the inhabitants, and the main Sogdian temple was converted into a mosque. The town was largely depopulated, and Arab cemeteries appeared in the waste spaces. The situation changes in the 3rd-4th/9th-10th centuries, when Samarqand became part of the Samanid possessions.

This period is marked by prosperity, and Afrāsīāb then became known as the šahrestān of Samarqand. The entire area was again surrounded by a wall with four gates (of Bokhara, the East, Nowbahārān, and Iron). In the northern part arose the citadel (kohandez) with its two gates, the palace of the ruler, and the prison.

A water supply was ensured by the ancient leaden aqueduct, which distributed through three main branches. From the south and west of Afrāsīāb a trade and craft suburb grew up, surrounded (together with gardens and estates) by its own wall, Dīvār-e Qīāmat. In several parts of the ruined site inhabited quarters of the time have been uncovered, showing streets, stone pavements, water conduits, and sewers.

Oriental geographers of the 4th/10th century mention in Samarqand (at Afrāsīāb) a Friday mosque, the palace of the Samanids, castles, and caravansaries. The excavation of the palace, with its vast audience hall, large dwelling house with an ayvān, and square, domed reception room, brought to light rich decoration—stucco carved into stylized plant and geometrical designs.

A potters’ quarter covering an area of 4,000 square meters has been explored. It contained some fifteen ceramicists’ households yielding highly artistic glazed pottery.

In the middle of the 5th/11th century under the Qarakhanid Tamač Khan Ebrāhīm (r. 444-60/1052-68) and at the beginning of the 7th/13th under the Ḵᵛārazmšāh Sultan Moammad (r. 596-617/1200-28), attempts were made to transform Afrāsīāb into a new administrative center.

Building activity increased in the 5th-6th/11th-12th centuries, but mainly outside the limits of Afrāsīāb in the inhabited šahr-e bīrūn, while Afrāsīāb remained on the whole an enclosed administrative and defensive center.

A cathedral mosque was enlarged and to a great extent rebuilt. In the 6th/12th century there developed the cult of Šāh-e Zenda (“the Living King”) around the spurious tomb of Qoam b. ʿAbbās; a mausoleum was built over it, and several other buildings (partly preserved) were erected: a madrasa, a minaret, and an ayvān with some carved wooden details.

The palace of the Qarakhanid rulers was constructed at Afrāsīāb, as well as the mausoleum of the Qarakhanid Ebrāhīm b. asan, which is faced with tiles of carved terracotta.

In Moarram, 617/March, 1220 Samarqand was seized by the army of Čingiz Khan and destroyed. After that event life in Afrāsīāb never recovered, and the town became a ruined site. In the 9th/15th century Afrāsīāb is mentioned under the name of Bālā eār as a “fortress of former days.”

Some of the poor lived in cave dwellings on its sheer loess slopes, while the building of the Šāh-e Zenda complex still proceeded on the southern slope of the weather-beaten medieval wall. Under Tīmūr and Ulu Beg there arose along a paved path and steps a group of mausoleums, memorial mosques, and domed passages (čārāqs) brightly faced with glazed tiles.

Up to the 20th century a cemetery spread out over the waste area around Šāh-e Zenda. Among the few later erections at Afrāsīāb are the madrasa and summer mosque of Šāh-e Zenda, the tomb of Ḵᵛāǰa Dānīāl in the northern area of the ruins, and the mosque of ażrat-e eżr (second half of the 19th century, rebuilt in 1919 by the architect ʿAbd-al-Qāder b. Bāqī Samarqandī).

Since 1923 the ruins of Afrāsīāb have been under state protection, and in 1966 the site was declared a state archeological reserve. The Afrāsīāb Museum was founded there, housing the material of many years’ archeological research.

Bibliography:

Afrasiaba. Sborniki I-IV, Tashkent, 1969-75.

I. Akhrarov and L. Rempel, Reznoĭ shtuk Afrasiaba, Tashkent, 1971.

L. I. Albaum, Zhivopis’ Afrasiaba, Tashkent, 1975.

Yu. F. Buryakov and M. Taguiev, “O kangue-kushanskikh sloyakh Afrasiaba (po materialam arkheologicheskikh raskopok 1968 g.),” Obshchestvennye nauki v Uzbekistane, 1968, no. 8, pp. 58-60.

M. I. Fedorov, “Afrasiabskiĭ klad zolotykh monet vtoroĭ poloviny XII v.,” Epigrafika vostoka 21, 1972, pp. 32-34.

S. K. Kabanov, “Izuchenie stratigrafii gorodishcha Afrasiab,” Sovetskaya arkheologiya, 1969, no. 1, pp. 183-98.

Idem and G. V. Shishkina, “Drevneĭshie nasloeniya gorodishcha Afrasiab,” Obshchestvennye nauki v Uzbekistane, 1968, no. 3, pp. 53-55.

M. E. Masson, “K periodizatsii drevneĭ istorii Samarkanda,” VDI, 1950, no. 4, pp. 155-66.

Meshkeris, Terrakotty Samarkandskogo Muzeya, Leningrad, 1962.

N. B. Nemtseva and Yu. Z. Shvab, Ansambl’ Shahi-Zinda, Tashkent, 1979.

V. A. Shishkin, Afrasiab—sokrovishchnitsa drevneĭ kultury, Tashkent, 1966. G. V. Shishkina, Glazurovannaya keramika Sogda, Tashkent, 1979.

Idem, “O mestonakhozhdenii Marakandy (arkheologicheskie dannye o drevnem Samarkande I tysyacheletiya do n.e.),” Sovetskaya arkheologiya, 1969, no. 1, pp. 62-75.

Idem, “Ellinisticheskaya keramika Afrasiaba,” Sovetskaya arkheologiya, 1972, no. 2, pp. 60-79.

S. S. Tashkhozhaev, Khudozhestvennaya polivnaya keramika Samarkanda IX-nachalo XIII v., Tashkent, 1967.

A. I. Terenozhkin, “Voprosy istorii ob arkheologicheskoĭ periodizatsii drevnego Samarkanda,” VDI, 1947, no. 4, pp. 127-35.

Idem, “Voprosy periodizatsii i khronologii drevneĭshego Samarkanda,” Sovetskaya arkheologiya, 1972, no. 3, pp. 90-99.

V. L. Vyatkin, Afrasiab—gorodishche drevnego Samarkanda, Samarkand and Tahskent, 1927.

http://www.iranicaonline.org/articles/afrasiab-the-ruined-site  


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